He is also responsible for the Kontakt scripting at Heavyocity, pushing the platform to the limit in order to bring even the craziest of ideas to life. Adam’s name appears in the credits of many high-profile Kontakt and Reaktor products, working on anything from African drums to additive synthesis. Icebreaker Audio, the brainchild of Adam Hanley, was created in 2011 as an outlet for boutique product concepts and personal obsessions. The sound was then expanded using a number of effects and performance options including an arpeggiator, circuit-bending glitch controls, and a filter & delay effect module. You can dial in as much, or as little as you like. For added lo-fi realism, the key-click sounds of playing the instrument were also sampled and included. The VL-Tone had its own built-in speaker, which was analyzed and modeled for an authentic tone. Great care was taken to measure and reproduce every aspect of the original accurately. Calc-U-Synth was created using the Reaktor Blocks framework, which means that if you own the full version of Reaktor, you can incorporate the blocks into your own creations.Ĭalc-U-Synth was designed to present the full capabilities of the VL-Tone’s programmable features in a more convenient interface, while retaining the character of the instrument. The synthesizer is a monophonic instrument that has 5 preset sounds as well as a user programmable 6th slot called ADSR. ![]() The VL-Tone can be run in one of two main modes: calculator or synthesizer. ![]() This entry was posted in download, Ensemble and tagged algorithmic, Antonio Blanca, Bluewater VST, Brent Kallmer, free, Nod-E, reaktor, tutorial, Video on Septemby peterdines.Calc-U-Synth is an emulation of the Casio VL-Tone, the classic digital calculator/synthesizer hybrid released in the summer of 1979 and manufactured until 1984. Big ups to Brent for this great video introduction to the ensemble. The cool thing about NOD-E is it can sound like anything – you can route the MIDI data to other plugins, even to hardware synths – or record and edit the sequence in a sequencer. The nodes are propelled throughout the XY field by two polyphonic LFOs (one for each axis). Movement along the X-axis triggers notes movement along the Y-axis determines the triggered note’s velocity (in other words, a note that is triggered at a high Y-value will play more loudly than one that is triggered at a low value. In NOD-E, 8 nodes travel around an XY-field and trigger notes when they cross certain boundaries (defined by you). You might think of NOD-E as the sequencer that you get when the nodes in Spiral reach escape velocity and break out of orbit. In this video, Brent Kallmer of BluewaterVST takes us through the wonderful NOD-E ensemble by Antonio Blanca, an algorithmic music machine that generates MIDI note data based on the positions of nodes moving on the instrument panel. ![]() This entry was posted in Ensemble and tagged Bluewater VST, Brent Kallmer, Lurker, reaktor, Reaktor Ensembles, tutorial, Video on Novemby peterdines. The versatility of these two delays allows you to transform audio (from either Lurker’s sampler or from an external source) into everything from rhythmically precise textures to trippy comb-filtered psychedelia.Įnjoy the video, and when you want to try Lurker yourself, it’s right there in the Factory tab of your Reaktor browser sidebar. It uses a complex and powerful modulation sequencing system to control various parameters on two independent delay units. Lurker is one of REAKTOR’s most beguiling effects-and also one of its most inscrutable. This is nuts since Reaktor 5 was released in 2005! Brent is doing a fantastic job documenting and exposing wonderful factory ensembles that were, truth be told, sort of unceremoniously dumped on the world with little fanfare or explanation. I was pondering recently how Reaktor 5 was so far ahead of its time that people are only catching up to it now. Brent Kallmer is back with one of his great explorations of an under-appreciated Reaktor factory library classic.
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